The Moth And The Flame

Month

April 2011

35 posts

you get to travel back in time for one day today, where do you go?

Um…I think I’d go back to the fifties when life was much more simple. Not too many cars on the road, much less crime, far less development, rolling green fields. I also think that people possibly appreciated life that bit more as war was over and a new beginning was sought. I think I’d go for a summer picnic in the English countryside with a basket full of good things such as ginger beer, sandwiches and fresh strawberries.You know kinda ‘Enid Blyton’ style life ;)

Apr 25, 20115 notes
Apr 25, 201185 notes
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Apr 25, 2011371 notes
“Life is a garden,
not a road
we enter and exit
through the same gate
wandering,
where we go matters less
than what we notice”
—

Bokonon

Via Whiskey River

(via leda-swanson)

Apr 25, 2011129 notes
Apr 25, 2011136 notes
Apr 25, 201168 notes
Apr 25, 201160 notes
Apr 25, 20113 notes
Apr 19, 20113 notes

gnossienne:

I miss you as dead things are missed:
first, the exquisite paroxysm, soothed by howls into:
a dull, aching prolongation, like the quavering caress of the bow on a violin string.
a sudden gasp of breath that freezes a room into stillness, useless icicles of tears lamenting onto the stained carpet.

with the certitude that what has been, will never again be

Apr 19, 201160 notes
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Apr 19, 2011249 notes
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Apr 19, 2011233 notes
“and so i leave this world, where the heart must either break or turn to lead.” —French writer’s suicide note. Nicolas-Sebastien Chamfort, 1794 (via withoutyourkiss)
Apr 19, 2011140 notes
Apr 19, 201154 notes
Apr 15, 2011319 notes
Gnossienne No. 1 Rafael Anton Irisarri + Goldmund

ghoulnextdoor:

Gnossienne No. 1, Rafael Anton Irisarri & Goldmund 

Goldmund and Rafael Anton Irisarri recorded this version of Erik Satie’s “Gnossienne No. 1″ …back in 2009. It was later included on the wonderful compilation ‘Erik Satie et les nouveaux jeunes‘.

Keith (aka Goldmund/Helios) played the piano whilst Rafael worked on the electronic arrangements and also produced the track. The intent was to give the composition a “ghost-like” quality, as if the spirit of Erik Satie was playing the melody in a very paced manner at an abandoned, old Château. (via fluid radio, where the tune is available for purchase)

Apr 15, 2011110 notes
Apr 14, 201151 notes
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